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2024 theme The Other
Cabriolet Film Festival’s topic this year is centred around the concept of "The Other" and drawing inspiration from the philosophy of Emmanuel Levinas. The latter believed that this otherness – which he called alterity – was something to celebrate, and that our primary ethical responsibility is to “The Other” who is fundamentally different and separate from the self.
Instead of seeking shared traits as the foundation of our moral concern, we should acknowledge that each person is a mysterious universe, evoking feelings of wonder, curiosity, denial, empathy, rejection, or attentiveness.
Sartre states that our relationship with “the others” can be a source of conflict, tension, and anxiety. His existentialist philosophy emphasizes the individual as fundamentally free, but when we interact with others, we are confronted with their expectations and judgments, which can limit our freedom.
Otherness is an essential component of human life. It represents the diversity that characterizes our world, a diversity that, far from being a source of division, can be a precious source of enrichment and sharing. By embracing otherness, we have the opportunity to grow as individuals and build more inclusive and open societies.
When we embrace otherness as a source of enrichment, we also open the door to identification and compassion. We develop greater sensitivity to injustices and inequalities, and we realize that diversity is a treasure that must be celebrated.
The theme invites filmmakers to explore freely the idea of self and otherness in their short films. We encourage a lighthearted, humorous, and liberated satirical approach when contemplating the topic.
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On the mountain
by Anya Raza
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Sisters of the Rotation
by Michel and Gaby Zarazir
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Echo
by Charly Delporte
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Courage
by Star Bazancir , Jasmina Pusok
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Flouka: A Letter to My Mother
by Jessica Saadé
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(R)ojo por (R)ojo (Red for Red)
by Lucia Aparici
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كعب الضيعة (The Bottom of the Village)
by Georges Abi Ramia, Sarah Abboud
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High Speed Train
by Nguyet Anh Nguyen, Elodie Janicot, Axel Bouchard, Laure Feng, Bérénice Roy, M. Dudych
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Good T’See Ya
by Nüll García
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Déjà Nu (Already Naked)
by Rolf Hellat
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The Cracker Effect
by Giuseppe Cacace, Alfredo Fiorillo
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I Don’t Know What to Call It
by Noha Aghnatios
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شو الغدا اليوم؟ (What’s for Lunch Today?)
by Ralph Bassim, Lynn Morkos, Sallie Hage
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Il mondiale in piazza (The World Cup in a Square)
by Vito Palmieri
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Tears come from above
by Margaux Fazio, Manon Stutz
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Nun or Never!
by Heta Jäälinoja
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2ª Pessoa (2nd Person)
by Rita Barbosa
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El Viaje (The Journey)
by TROVADOR
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طنجرة وغطاها (The Pot and Its Lid)
by Ryan Nakhle, Zinia Khalifeh
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Transcending Harry
by Bruno Conti Wuilloud
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FÁR
by Gunnur Martinsdóttir Schlüter
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Failure
by Nadine El Sayegh
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Les Collines de Sel (The Salt Hills)
by Alexandre Schild
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Reem Al Shammary: The Bedouin Boxeur
by Mattia Ramberti
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Palestine 87
by no name
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من الفجر للنجر (From Dawn to Dusk)
by Gaelle Saad
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2nd Class
by Jimmy Olsson
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Lovesick in the West Bank
by Said Zagha
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Maria - A chent’annos
by Giovanni Battista Origo
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Detour
by Estphan Khattar
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Au revoir mon monde (Goodbye, My World)
by Estelle Bonnardel, Quentin Devoured, Baptiste Duchamps, Maxime Foltzer, Florian Maurice, Astrid Novais
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La lune se lève (The Moon Rises)
by Gaspard Vignon
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El sueño de Quino (Quino’s Dream)
by Santiago Erlich
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Abort Mission
by Oceane Zahra
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Found Stories - Mallorca
by Iván Valencia
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La Calesita (The Carousel)
by Augusto Schillagi
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